Orson Welles Citizen Kane is a cleverly crafted movie told in a serial of flashbacks telling the story of a man who manages to distance himself from everyone he interjects into contact with. Throughout the film Welles uses mise-en-scene and cinematography brace deliberately and subconsciously to point things out and foreshadow things to come after to the audience. Specifically the relationship of Susan and Kane can be used as an example. In the scenes involving Susan and Kane many cinematic effects be used. Among them be Kanes dominance and control over Susan, and the way Kane exhibits love as power. Specifically, however we can point to the series of events in which Susan and Kane atomic number 18 at Xandu prior to their breakup. Beginning with the scene direct following(a) Susans self-destruction attempt and concluding with the scene of Susan slapping Kane we see a masterfully crafted epoch that sharply depicts their relationship and Kanes personality. Here we overhear a perfect example of how deliberately to date discreetly we be given the signal of things to come; the slow yet unshakable decline of their marriage.
The duration and decline of Susan and Kanes relationship is render in a series of scenes in a sequence that begins immediately following Susans suicide attempt with a thaw into outside tang of the monumental, ominous, evil looking, fog shadowed Xanadu followed by the midland of the parlor inside Xanadu and then the close up shot of Susans hand working a jigsaw puzzle. In these unbiased shots, we are told rapidly and concisely that the marriage is fai ling. The massive Xanadu represents the sore! ness of the relationship between Susan and Kane; its followed by the luxurious inside, by pretend representing the potential passion or love. The close up of the terrific jigsaw puzzle with Susans hand putting in the pieces... If you penury to get a full essay, order it on our website:
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