'How does Miller portray Proctor in this extract? Essay\r'

'The opening stage directions from this draw up immediately show the mood of the play, and the extreme focus that the characters argon under, â€Å"It is as though they are stood in a revolve world. It is beyond sorrow, above it.” This shows us that the play has reached the moment of crisis, and that the situation is today wholly out of control. The metaphorical language moth miller uses here emphasises the tensity, and the huge sensation of the moment.\r\nThe first speech in the extract is a conversation betwixt monitor and his married woman. The speech has a superficial tension to it, as they discuss Elizabeth’s pregnancy, although from this tension we can impinge on that there is an underlying intimacy. Miller achieves this effect by using short sentences and responses such as â€Å"The shaver?” and â€Å"It grows.” This emphasises the tension between the two although the topic is sensation of unity showing their intimacy. While Elizabeth is talking to her hubby she is desperately trying to hold back the emotion that she is actually cutaneous senses. This can be seen as when asked whether she has seen her children she replies, â€Å"I have non.\r\nShe catches a weakening in herself and downs it.” She is macrocosm non-committal towards monitor in order to retain her magnanimousness and non break down. Here Miller is emphasising Elizabeth’s goodness and dignity, and highlighting the gulf that keep an eye on sees between their moral standing. He does this as invigilate in this bit of chat is seeking Elizabeth’s laudation so that he feels she has forgiven him for his adultery, and therefore be thaw to forgive himself. In response to this statement by Elizabeth Procter says, â€Å"You are a- marvel, Elizabeth.”\r\nHis short dialogue and pause in mid sentence shows the nervousness he is feeling at trying to cope to terms with the â€Å"spinning world” in which he finds himse lf, and also emphasises the take to be that he has for his wife. As Proctor admits that he has been pain Miller writes â€Å"Pause. She will non let herself be drowned in the sea which threatens her.” The metaphorical imagination he uses here conveys the great emotion that they are some(prenominal) feeling for one another, yet are not able to express due to their history. The lack of adjectives and fineness of language shows the discomfort they are feeling in the situation.\r\nThe dialogue finally changes from being sparse and abbreviated when Rebecca’s fate is mentioned. As Proctor asks almost her, Elizabeth replies â€Å"Not Rebecca. She is one foot in nirvana flat; naught may hurt her more.” The compass point Miller goes into, the elaboration on Rebecca’s name, and the imagery of â€Å"one foot in Heaven” shows the grandeur to the au legislatence of Proctor and Elizabeth’s respect for Rebecca. The dialogue then quickly retract s to the sparseness of the earlier subdivision as Elizabeth simply says, â€Å"Giles is dead.” The numbness of her emotion in this very factual sentence shows us that cobblers last has become normality to her, and that she has to remain emotionally dislocated to avoid breaking down. Miller uses this to build the tension and emotion of his play to a climax, as Proctor decides what to do.\r\nThe background for Proctor’s announcement to his wife that he is considering avowing is the sentence by Elizabeth â€Å"Aye he were a fearsome man, Giles Corey.” This image of physical strength contrasts with Proctor’s apparent weakness as he admits that â€Å"I have been thinking I would admit to them, Elizabeth.” Miller uses this to steer the audience into believing that this is a dishonourable path to take, and emphasises the enormity of the decision that he has to face. In reply to this, Elizabeth says, â€Å"I cannot judge you, John.” Elizabeth n ow has an air of tenderness towards Proctor, which contrasts with her earlier coldness. The stage directions Miller uses for Proctor’s next speech are â€Å"simply- a pure question.” The lack of anger, guilt or implicit judgement here shows that the couple now have a sense of unity, and that past problems are now forgotten. In this moment of great emotion and mental turmoil, Proctor and Elizabeth are brought together.\r\nMiller once more steers the audience to see that Proctor will not confess when he gives the directions â€Å"pauses, then with a flailing of commit”. We are now led to believe that Proctor will be unable to bring himself to confess as he can see that it is chastely incorrect behaviour. In the next speech by Proctor where he says, â€Å"I cannot mount the savage like a saint. It is fraud. I am not that man. She is silent. My honesty is broke Elizabeth; I am no good man.”\r\nHere Miller portrays Proctor as not being afraid of death, but that he does not feel that he is worthy to die alongside the likes of Rebecca as he is a puckish man. He is also slightly seeking defense to live. Throughout this extract it is clear that Miller is opinion himself and here he is still under the pic that he is not worthy of greatness, although he is not sure as he is mentally battling with himself to come to some sort of conclusion.\r\n'